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Neo-noir is a revival of film noir, a genre that had originally flourished during and after World War II in the United States —roughly from 1940 to 1960.
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A history of the neo-noir genre is impossible without a brief explanation of the genre it evolved from. Film Noir is a style of classical filmmaking which scholars place in the period between 1941 and 1958, beginning with the John Huston picture, The Maltese Falcon. This genre saw its glory days during and after the Second World war.
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Classic film noir thrived in the 1940s and '50s. The genre was characterized by dark stylized cinematography and a pessimistic mood, perhaps reflecting the uncertainty of the postwar era. Plots typically featured troubled cynical characters involved in the underworld.
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An offshoot of the historical film noir genre, it's painted in such broad strokes that it can subvert, parody, heighten, or reimagine the prototypical stories of its predecessor and still be considered "neo-noir." Many of the greats have made their bones in the genre, even if their movies don't appear the same at surface level.
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Where film noir gained potency from its distorted yet crystalline reflections of a starkly stratified, economically depressed society—a world of detours down nightmare alleys at nightfall—neonoir applied a carefully filigreed lens of nostalgia, aligning it with the returns to western and gangster-movie forms that served as the foundations of the New Hollywood.
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The following is a list of films belonging to the neo-noir genre. Following a common convention of associating the 1940s and 1950s with film noir, the list takes 1960 to date the beginning of the genre. List of films: 1960-1969. Film Director Year Country Ref(s). 13 West Street: Philip Leacock: 1962
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From late 1989 to early 2001, noir made a stunning return to Hollywood, splitting off into different subgenres and producing some of the most compelling films of the era—from The Usual Suspects.
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Monsieur Spade is a neo-noir show set in the '60s, following the retired private detective Sam Spade as he investigates a series of murders in a small French town.; The show features an ensemble.
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Neo-noir movies have similar aims but broaden film noir as a whole, mixing the detective and crime stories of old with new sub-genres, modern settings, and more explicit violence. RELATED:.
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Neo-Noir Film Genre: 4 Common Traits of the Neo-Noir Genre. Written by MasterClass. Last updated: Sep 15, 2021 • 3 min read. Learn how neo-noir films build off classic genre tropes and update them for a new generation.
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Neo-noir, by fairly common assent, refers to films made in the wake of the classic film noir period, an era typically said to commence with The Maltese Falcon (John Huston, 1941) and conclude with Touch of Evil (Orson Welles, 1958). 6 Unfortunately, tracing neo-noir's history from this point on has not yielded such simple demarcations.
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Neo-noir is a film genre that updates and adapts the characteristics of film noir with modern themes and techniques. The 1960s and early 1970s ushered in a liminal time in cinematic history as.
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As such, the filmmakers we'd now hail as neo-noir pioneers weren't aware that they were making neo-noir films in the first place. A strong case could be made for Jean-Luc Godard as the primary forefather of neo-noir. His radical, revisionist crime films - Breathless (1960), Bande à part (1964), Alphaville (1965) - paved the way for a.
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Neo-noir is cool, edgy and mysterious and you need to know about it. Here are the key characteristics to look out for. Cynical, deeply flawed protagonist You would be hard-pushed to find a protagonist in a neo-noir film who doesn't possess a crippling flaw. Like film noir, most of the characters are anti-heroes with a shady past.
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Although the neo-noir subgenre isn't nearly as acclaimed as noir was during the 40s and 50s, it's still a favorite of many directors and writers. In fact, many modern neo-noir pictures.
